GRAND PRIX
Najtoplešji dnevi poletja / Najtopliji dani leta / Hottest Summer Days (Maša Šarović)

With intelligently crafted atmosphere, ambiguity and many surprising details, this film gives us fragmentary glimpses of contemporary youth during one summer.

 

BEST FeKK YU FILM
Lovettovi The Lovetts (Igor Bezinović)

A hugely amusing, multi-layered vision of the working world and life on the internet today, which explores gender and power relations with lightness and imagination.

 

BEST FeKK SLO FILM
Vrzel Chasm (Ana Trebše)

Using well developed and acted characters, this is an engaging and highly relatable portrayal of the role of social media in our relationships today.

 

CRITICS’ JURY

FeKK YU

Dramaturgija je precenjena / Precijenjena dramaturgija / Drama is Overrated, Sunčica Ana Veldić, Hrvaška, 2017

The author approaches her film education, film clichés , herself as both a film-maker and a veterinarian in an innovative, witty, radical, (self)ironic and critical way. The film remains faithful to its title, constantly questioning the central position of dramaturgy in film-making, and showing how to set up a film in a fresh, personal-yet-essayistical and fragmented way, without ever losing its thread.

FeKK SLO

Iva, Maja Alibegović, Hrvaška, 2018

The intimate portrait of Iva holds up a mirror to a society that increasingly dictates the ideals of appearance, beauty and success. The film delivers its commentary in an unobtrusive way,; it avoids moralising and encourages the contemplation of how contemporary technology and society – which have transferred the limelight from stages and runways to our living rooms – shape the individual’s self-image.

News